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where i'm writing from by eli cranor Where I’m Writing From: Two-years into this "author" gig
eli.cranor@gmail.com
March 17, 2024

Eli Cranor is the critically acclaimed author of Don’t Know Tough and Ozark Dogs.

Cranor can be reached using the “Contact” page at elicranor.com
and found on Twitter @elicranor


I just had to Google "the difference between an author and a writer." And in case you're wondering, the difference is money.

Now, I'm not rolling in the dough down here in my basement, but I'm doing fine. No complaints. It's just that an "author" is one who gets paid to write, while a "writer" is someone who, well, writes.

I made that jump two years ago, right around this same day in March (there's still some discrepancy over Don't Know Tough's actual release date involving a national glue shortage around publication, but that's another story).

A lot has changed since then.

This column, for example, is still relatively new. I published the first "Where I'm Writing From" back in the summer of 2022, just a few months after my debut novel was reviewed by the New York Times.

I mention the Times here not to brag, but to highlight how subjective this whole thing is. How fragile. If that review hadn't landed, you might not be reading this. I might still be teaching high school English, afraid to tell people I was a writer, er, I mean, an "author."

I struggled with that for a long time. Even after my second novel hit shelves in 2023, I still thought of myself as a teacher first and a writer second, regardless of Google's definition.

That changed when I became the "Writer In Residence" at Arkansas Tech University. Something about that job, the faculty, my students — being back in a classroom that felt wonderfully similar to where my whole writing journey began — it changed how I viewed myself.

These days, I no longer have to separate my work life from my books, or vice versa. I get to teach students what I've learned. I get to learn from them. I get to host "Slab Times" and do my best Johnny Wink impersonation a few times a week.

In other words, I'm lucky.

You see, all art is subjective. Great books still get overlooked and become farts in the whirlwind that is the monstrous American publishing machine.

This realization forced me into some much-needed introspection recently. It caused me to take a step back and refocus on the lines, the words, the art involved in putting the black on the white. After all, the work is what matters in the end.

Even knowing this, I still struggle when it comes to job descriptions. Am I an author? A novelist? A columnist or a sham?

Charles Portis, a hero of mine who I wrote about last week, was known to refer to himself as a "freelance writer."

When I first saw this, I thought it was a joke. Portis is a legend, I snarled. A great American novelist!

After giving it some thought, I still think it's funny, but just like Portis's books, essays, and articles—it's also true. A "freelance writer" sounds good to me.

Books authored by Eli Cranor

Broiler

don't  know tough
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Commissions earned

The troubles of two desperate families—one white, one Mexican American—converge rest in the ruthless underworld of an Arkansas chicken processing plant in this new thriller from the award-winning author of DON’T KNOW TOUGH.

Gabriela Menchaca and Edwin Saucedo are hardworking, undocumented employees at the Detmer Foods chicken plant in Springdale, Arkansas, just a stone’s throw away from the trailer park where they’ve lived together for seven years. While dealing with personal tragedies of their own, the young couple endures the brutal, dehumanizing conditions at the plant in exchange for barebones pay.

When the plant manager, Luke Jackson, fires Edwin to set an example for the rest of the workers—and to show the higher-ups that he’s ready for a major promotion—Edwin is determined to get revenge on Luke and his wife, Mimi, a new mother who stays at home with her six-month-old son. Edwin’s impulsive action sets in motion a devastating chain of events that illuminates the deeply entrenched power dynamics between those who revel at the top and those who toil at the bottom.

From the nationally bestselling and Edgar Award–winning author of Don’t Know Tough and Ozark Dogs comes another edge-of-your-seat noir thriller that exposes the dark, bloody heart of life on the margins in the American South and the bleak underside of a bygone American Dream.

Don't Know Tough

don't  know tough
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In Denton, Arkansas, the fate of the high school football team rests on the shoulders of Billy Lowe, a volatile but talented running back. Billy comes from an extremely troubled home: a trailer park where he is terrorized by his mother’s abusive boyfriend. Billy takes out his anger on the field, but when his savagery crosses a line, he faces suspension. Without Billy Lowe, the Denton Pirates can kiss their playoff bid goodbye. But the head coach, Trent Powers, who just moved from California with his wife and two children for this job, has more than just his paycheck riding on Billy’s bad behavior. As a born-again Christian, Trent feels a divine calling to save Billy—save him from his circumstances, and save his soul. Then Billy’s abuser is found murdered in the Lowe family trailer, and all evidence points toward Billy. Now nothing can stop an explosive chain of violence that could tear the whole town apart on the eve of the playoffs.

Ozark Dogs

ozark dogs
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Commissions earned

In this Southern thriller, two families grapple with the aftermath of a murder in their small Arkansas town. After his son is convicted of capital murder, Vietnam War veteran Jeremiah Fitzjurls takes over the care of his granddaughter, Joanna, raising her with as much warmth as can be found in an Ozark junkyard outfitted to be an armory. He teaches her how to shoot and fight, but there is not enough training in the world to protect her when the dreaded Ledfords, notorious meth dealers and fanatical white supremacists, come to collect on Joanna as payment for a long-overdue blood debt.

Headed by rancorous patriarch Bunn and smooth-talking, erudite Evail, the Ledfords have never forgotten what the Fitzjurls family did to them, and they will not be satisfied until they have taken an eye for an eye. As they seek revenge, and as Jeremiah desperately searches for his granddaughter, their narratives collide in this immersive story about family and how far some will go to honor, defend—or in some cases, destroy it.

Previous columns:
Writing from: Trut grit county
Writing from: The rafters in the basement
Writing from: A land of dripping noses and all-night coughs
Writing from: Another Dimension
Writing from Fearrington Village, North Carolina
Writing from My daughter’s basketball game
Writing from My thirty sixth year
Writing from Forrest City, Arkansas
Writing from Nap Time
Writing from Winter Park, Colorado
Writing from the end of the year
Writing from First United Methodist Church
Writing from the end of the first semester
Writing from the cusp of another visit
Writing from a Razorback Game
Writing From: The End
Writing from Oyster Island
Writing from Jayne Lemons
Writing from Bed
Writing from Witherspoon Hall
Writing From: Coco
Writing from the Beach
Writing From: Crooked Creek
Writing from a Nursing Home
Writing from a Firework Tent
Writing from a Boat
Writing from the Stars
Writing from the Pool
Writing from the Kitchen
Writing from Summer
Writing from Kindergarten
Writing from Mom
Writing from a Plane
Writing from Home
My second novel’s publication
A New Marriage Milestone
An Invitation to the Party
Writing from a Thunderstorm
Writing from a Soundbooth
Writing from “Jazz Beach"
Writing from the Sabbath
Writing from somewhere between Little Rock and Russellville
Writing from my back deck
Writing from the morning of my thirty-fifth year
Writing on the day of the college football National Championship
Writing from the space between breaths
Writing from 2022
Writing from the glow of a plastic Christmas tree
Writing on a rollercoaster of triumph and disaster
Writing from the drop-off line at my daughter’s elementary school


Writing with Thanksgiving on my mind
Writing from the crowd before the start of a Shovels & Rope show
Writing from the depths of a post-book-festival hangover
Writing from the Ron Robinson Theatre
Writing to you on Halloween Eve
Writing from my bed on a Saturday morning
Writing from my office with two darts clenched in my left hand
Writing from the shade of my favorite tree
Writing from my desk on a Tuesday morning
Writing from a pirate ship
Writing from the airport
Writing from the hospital
I'm writing from the water
Writing from my wife's Honda Pilot
Writing from my office

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